| Peter Zorn on Wed, 13 May 1998 19:04:35 +0100 |
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| Syndicate: sub fiction, 3. Werkleitz Biennial, September 3-6, 1998 |
Sub Fiction
3. Werkleitz Biennial 1998
September, 3rd to 6th, 1998
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The Werkleitz Gesellschaft e.V. is running the Center for
Artistic Visual Media
Saxony-Anhalt, provides the place of business for coordinating
the Media Association
Saxony-Anhalt and is concerned with technical matters in the
field of production of
the cultural public film funding of the state of Saxony-Anhalt.
Alternating with ostranenie - The International Electronic Media
Forum at the
Bauhaus Dessau Foundation, the Werkleitz Gesellschaft stages the
Werkleitz
Biennial.
The concept of the Werkleitz Biennial is that of a border
crossing, international forum
for media and art. Artists in the fields of Film, Video,
Photography, Performance and
Multimedia as well as classical fields of the Visual Arts
get the opportunity to present their views on contemporary
issues with their artistic
work. The artistic engagement on the current development from
the information to the
communication society is playing a significant role.
After the 2. Werkleitz Biennial Cluster Images in 1996 with 70
participating artists
from 15 countries, the 3. Werkleitz Biennial will take place in
1998 with the thematic
line of SUB FICTION.
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SUB FICTION
?In science, fiction is, as the most important methodic tool, an
assumption which is
accompanied by the consciousness of its incorrectness, yet may
help to gain the
correct perception?.
(Meyers Neues Großes Volkslexikon)
Due to the rigoros fragmentation of the notion of reality,
triggered by the recently
increasing mixing of fictional, scientific and social
constructions, it appears -also
caused by the rapid technological development of new media- ,
that the idea of fiction
becomes less and less homogenious to manage to capture the span
of contemporary
phenomena.
SUB FICTION serves as possible expression for a new development
beyond the
original notion of fiction, especially since its terminological
closeness to smaller and
subcultural groups, interests and actions much more take the
actual phenomena into
account, these ?fictions?are trying to define contentual
distinctions with.
With SUB FICTION we want to present works which reflect their
own fictional content
and/or enter into the experiment of breaking through
conventional fictions and forms.
The 3. Werkleitz Biennial intends to have different experts in
the fields of Film, Video,
Internet/CD-Rom, Visual Arts and Performance to give their
opinion on which
positions in the respective artistic field are current and
important.
We are especially interested in the interaction of technology,
art and society, in
outlooks on the development of virtual media and the relation to
our idea of reality,
fiction, identity and culture.
In this context the following questions occur:
Which significance has fiction for society, which for art?
Are collective fictions replaced by individiual fictions?
Which shiftings exist in the evaluation of fiction -
construction and virtuality -
reality?
Does fiction, following the already existing possibiliy of
real-time data
transmission, appear increasingly in spatial and
localspecific qualities and
distinctions?
How is fiction altered by new media?
Which necessity of dramaturgy is behind this development?
Which relevant new forms and contents are emerging in art
and popular
culture?
Approximately ten experts of different fields will each curate a
programme or
exhibition section with a selection of works which is important
to them in that
context.
These positions - which can be contrary and discursiv - will be
presented and
discussed together. For this reason we were choosing this open
form and the line of
questions, not believing, that the function of curating can
replace the artistic, but to
present these views as a spectrum which should supply
information on the current
situation of SUB FICTION.
General
The event will take place on four days in Tornitz und Werkleitz.
Date: September 3rd to 6th 1998
Selected programmes and parts of the exhibition shall be
presented before and after
the event in Magdeburg, Dessau and Halle, the major towns in the
state.
Further presentations in 1999 are planned within a touring
programme.
A printed catalogue as well as an online version of the
catalogue, containing the
documentation of the artistic works and a selection of
theoretical contributions, will
be published for the 1998 Biennial SUB FICTION.
Participants
A group of about ten curators in the fields of Film, Video,
Visual Arts, New Media and
Performance will be nominated by the Werkleitz Gesellschaft.
Considering the
thematic questions described above, each curator will be
responsible for the
respective programme, inviting artists with their work for SUB
FICTION.
Selections may include pieces of work of the classical static
and time based Visual
Media, Performance and New Media as well as border crossing
artistic works.
Suitable spaces and the respective technical equipment will be
supplied for the
presentation proposals of the curators.
A series of lectures and a special programme on thematically
relevant features will
complete the programme.
Local Realisation
One of the unique aspects of the Biennial is the rural
situation. The villages of
Werkleitz and Tornitz, situated at the Saale river, make up the
local framework.
Space for venues can also be provided in the closeby towns of
Barby and Calbe, if
necessary.
Information on Werkleitz and Tornitz can be looked up on our
website as well as on
the webpages of SUB FICTION: http://www.werkleitz.de/sub-fiction
Peter Zorn, festival coordination
--
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Werkleitz Gesellschaft e.V. / Centre for artistic visual media
Saxony-Anhalt
Strasse des Friedens 26 / 39249 Tornitz / Germany
Tel. 0049 - (0)39298 - 675- 0 / Fax: - 55
http://www.werkleitz.de